Edward Alderton Theatre

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The Crucible
by Arthur Miller

Directed by Sue Higginson

9-16 October 2004 (7 performances)

1692: Salem, Massachusetts. When teenagers are discovered in the woods playing an innocent game, they are accused of witchcraft by the town elders. They only way they can avoid punishment is to name the others involved. But when simple farmer John Proctor gets caught up in things, events turn even more serious...

Cast
Betty Parris Alice Carter
Rev Samuel Parris Mark Campbell
Tituba Janette Nzekwe
Abigail Williams Helen Carter
Susanna Wallcott Holly Sutherland
Ann Putnam Jean Sharp
Thomas Putnam Richard Banks
Mercy Lewis Aysev Ismail
Mary Warren Kellie Risby
John Proctor Andy Briggs
Rebecca Nurse Eleanor McEnery
Giles Corey David Hampton
Rev John Hale Michael Martin
Elizabeth Proctor Gill Grubb
Francis Nurse Horry Stapleton
Ezekiel Cheever Richard Tame
John Willard Paul Friett
Judge Hathorne Andy Godfrey
Deputy Governor Danforth Tony Donnelly
Sarah Good Viv Stapleton


Crew
Stage Manager Helen Bezer
Assistant Stage Manager Stephanie David
Set Designer Mike Higginson
Set Construction Mike Higginson, Ron Andrews
Lighting & Sound Design John Buckle
Lighting & Sound Operation David Shields
Costumes Viv Stapleton, Jean Sharp, Caroline Rees

Properties from Erith Playhouse, costumes from the RSC, Stratford-upon-Avon.



Review

A morality play for our times

Until Saturday, the Edward Alderton Theatre in Bexleyheath is staging a monumental production of Arthur Miller's superb play The Crucible. Director Sue Higginson has gathered a team of twenty performers to create Miller's version of one of the most chilling events in North-American history - the witch trials and executions that occurred in Salem during the late 17th century.

However, the work is also a passionate indictment of the so-called witch hunts that occurred in the USA during the 1950s. Senator McCarthy of Massachusetts had created an unnatural fear of communists and the famous and the not so famous were being accused by friends and enemies alike and losing their careers as a consequence. The parallels with the events in Salem are uncanny. Miller used actual events and real people in his play although ages have changed, several people have been merged into one, and events have been integrated into dramatic cameos.

Mike Higginson's bleak and atmospheric set features some pieces of furniture that look too modern, but John Buckle's lighting soon illuminates the innovative nature of the set design.

It is often said that the events in Salem were the result of mass hysteria. In this new production, the horrors seem to be deliberately induced by one woman (Abigail Williams) and her close friends. This character is created with a real sense of wickedness and sexuality in a superb performance by Helen Carter. However, the main flow of the play revolves around John Proctor who had enjoyed an affair with Abigail while he was married. Andy Briggs is superb in the part and clearly shows the torment of a man torn by his beliefs and reputation, and that of his wife (Gill Grubb.)

In a fine cast Mark Campbell, Eleanor McEnery, Michael Martin, Janette Nzekwe (a bright star for the future), Andy Godfrey, and Tony Donnelly provided just some of the highlights of an extraordinary triumph in a small theatre.

Roy Atterbury

Kentish Times | 21 October 2004

Programme

Poster

L-R: Tony Donnelly and Andy Briggs

Rehearsals, L-R: Jean Sharp, Richard Banks, Helen Bezer, Helen Carter, Janette Nzekwe, Michael Martin and David Hampton

L-R: Michael Martin, Jean Sharp, Andy Briggs, Richard Tame, Holly Sutherland, Aysev Ismail, Helen Carter, Tony Donnelly and Gill Grubb

crucible1_1.jpg

Alice Carter and Mark Campbell

Holly Sutherland

L-R: David Hampton and Michael Martin

L-R: Janette Nzekwe and Helen Carter

Kellie Risby and Andy Briggs

Tony Donnelly

Eleanor McEnery and Mark Campbell

L-R: Kellie Risby and Gill Grubb

L-R: Holly Sutherland, Helen Carter and Aysev Ismail

Helen Carter and Mark Campbell

David Hampton